by Jee Wan
Malaysiakini
Aug 6, 10
Kee Thuan Chye , a stubbornly patriotic writer, journalist, editor,playwright, and occasional actor, allows a peep into what makes him tick and what does not, particularly where big brother is concerned.
Jee Wan:Firstly, congratulations on the upcoming new edition of ‘March 8: The Day Malaysia Woke Up’. What started your involvement in politics?
Kee:Thanks. It may actually turn out to be a new book called ‘March 8: Time for Real Change’.
My political awakening occurred right after I graduated from Universiti Sains Malaysia when I personally suffered the effects of the New Economic Policy (NEP). I wanted to pursue my Masters but I wasn’t able to afford it unless I could get a tutor’s position. I applied, but didn’t get it – even though I was top in my class. It was given to someone else. So I had to go out and work.
Eventually, I was hired by The National Echo as literary editor. Part of my duties included writing editorials. During that time, I was able to write quite scathingly about political matters.
I remember one of my editorials criticised Mahathir Mohamad for warning that Malaysia would “shoot” the Vietnamese boat people if they tried to land on our shores. He later insisted that he said “shoo”, but I could already see then what kind of a guy we were dealing with.
I became more politically sensitised when I moved from Penang to Kuala Lumpur in the late 1970s, from The National Echo to the New Straits Times. In the capital, I began to see more sharply the contradictions in our society.
At the time, the social re-engineering that had come into place after 1969 was beginning to show its effects. They became more pronounced in the early 1980s when Mahathir Mohamad became Prime Minister.
Working at the NST made me see more clearly that things were going towards an authoritarian direction. I got numerous memos from my editor-in-chief for trying to push the parameters and opening up public discourse on ‘sensitive’ issues.
The most pressing issue then was race and how it had been politicised to divide the people. Mahathir was also showing signs of being increasingly dictatorial; he would tolerate no criticism of him in the media.
What I couldn’t express through the newspaper I eventually expressed in a play. Entitled ‘1984 Here and Now’; it spoke out frankly against Big Brother and institutionalised racial discrimination. It played to full houses in 1985 because it brought up issues of the day that people were afraid to discuss publicly. Those who came were surprised that it had obtained a permit to be staged.
I have since gone on to write more political plays. One of them, ‘The Big Purge’, brazenly satirises Mahathir (left) and Operation Lalang. Continue reading “Kee Thuan Chye unmasked”